cuerda secan.

/kwɛrda sɛka/

Etymology: Spanish, lit. ‘dry cord’.

(See quot. 1960.)

ΘΚΠ

society > leisure > the arts > visual arts > ornamental art and craft > [noun] > work in specific medium

bonework1557

shell-work1611

rockwork1615

feather-work1665

quillwork1688

boss-work1697

ice work1729

wafer-work1789

filigree paper1800

feather-mosaic1843

cut paper1847

plumagery1854

leather-work1856

graffito1863

cuerda seca1911

papercraft1917

barbola1927

rosemaling1933

cuenca1939

penwork1969

1911 Encycl. Brit. XXVI. 973/1 The tediousness of the process gave rise, about 1450, to what is known as the cuerda seca (or ‘dry cord’) method, in which narrow fillets at the edges of the separating interlacings were first stamped upon the tile itself and filled with clay and manganese; these being fired (thus forming a ‘dry cord’ or line) formed shallow compartments which were in turn filled with coloured enamel.

1939 Burlington Mag. Oct. 156/1 Tile~work glazed in the so-called cuerda seca technique.

1960 R. G. Haggar Conc. Encycl. Continental Pottery & Porcelain 121/2 Cuerda seca, ‘dry cord’: a technique employed by Spanish tile makers in which lines were drawn upon the tile in a purple pigment mixed with a greasy substance which effectually separated the colours filled in on either sides of them, and disappeared during the firing process.

This entry has not yet been fully updated (first published 1972; most recently modified version published online March 2018).

单词	cuerda seca
释义	cuerda secan. /kwɛrda sɛka/ Etymology: Spanish, lit. ‘dry cord’. (See quot. 1960.) ΘΚΠ society > leisure > the arts > visual arts > ornamental art and craft > [noun] > work in specific medium bonework1557 shell-work1611 rockwork1615 feather-work1665 quillwork1688 boss-work1697 ice work1729 wafer-work1789 filigree paper1800 feather-mosaic1843 cut paper1847 plumagery1854 leather-work1856 graffito1863 cuerda seca1911 papercraft1917 barbola1927 rosemaling1933 cuenca1939 penwork1969 1911 Encycl. Brit. XXVI. 973/1 The tediousness of the process gave rise, about 1450, to what is known as the cuerda seca (or ‘dry cord’) method, in which narrow fillets at the edges of the separating interlacings were first stamped upon the tile itself and filled with clay and manganese; these being fired (thus forming a ‘dry cord’ or line) formed shallow compartments which were in turn filled with coloured enamel. 1939 Burlington Mag. Oct. 156/1 Tile~work glazed in the so-called cuerda seca technique. 1960 R. G. Haggar Conc. Encycl. Continental Pottery & Porcelain 121/2 Cuerda seca, ‘dry cord’: a technique employed by Spanish tile makers in which lines were drawn upon the tile in a purple pigment mixed with a greasy substance which effectually separated the colours filled in on either sides of them, and disappeared during the firing process. This entry has not yet been fully updated (first published 1972; most recently modified version published online March 2018). < n.1911
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