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单词 michelangelesque
释义

Michelangelesqueadj.

Brit. /ˌmʌɪkəlan(d)ʒəˈlɛsk/, /ˌmɪkəlan(d)ʒəˈlɛsk/, U.S. /ˌmɪkəlˌændʒəˈlɛsk/, /ˌmaɪkəlˌændʒəˈlɛsk/
Forms: 1800s Michael-Angelesque, 1800s Michael Angelesque, 1800s– Michelangelesque, 1900s– Michaelangelesque.
Origin: From a proper name, combined with an English element. Etymons: proper name Michelangelo , -esque suffix.
Etymology: < the name of Michelangelo Buonarroti (1475–1564), Italian sculptor, painter, architect, and poet + -esque suffix.
Of, relating to, or characteristic of Michelangelo; after the manner of Michelangelo's work, esp. in being solid, bold, or statuesque.
ΘΚΠ
society > leisure > the arts > visual arts > period, movement, or school of art > Italian Renaissance or 14-16th century > [adjective] > style of specific artist
Titianic1739
Titianesque1771
Raphaelesque1772
Michelangelesquea1806
Raphaelic1817
Peruginesque1842
Raphaelite1855
Leonardesque1864
Perugian1864
Botticellian1880
Giottesque1880
Titian1886
Holbeinesque1895
Botticellesque1901
Verrocchian1902
Giorgionesque1906
Orcagnesque1910
Caravaggiesque1925
Verrocchiesque1933
a1806 J. Barry in R. N. Wornum Lect. on Painting (1848) 133 The arm is a little too square and Michelangelesque.
1845 R. Ford Hand-bk. Travellers in Spain II. viii. 635 Two grand subjects in chiaro oscuro on a gilded ground..are quite Michael-Angelesque.
1874 E. Eastlake Kugler's Hand-bk. Painting: Ital. Schools (ed. 4) I. iv. i. 251 In addition to his larger Michael-Angelesque peculiarities Luca may be known by the squareness of his forms in joints and extremities.
1886 J. Ruskin Præterita II. ii. 50 I..progressed greatly and vitally in Michael-Angelesque directions.
1909 Westm. Gaz. 16 Oct. 2/3 The chapel among the ilexes has no vestige of Christian emblems; nothing but those pagan candelabra, masks, birds, and flowers and Michelangelesque supporters.
1934 R. Campbell Broken Rec. iv. 84 He looked very Mosaic in the Michaelangelesque sense of the word.
1956 K. Clark Nude iv. 134 The same Michelangelesque motive is used.
1970 T. Hilton Pre-Raphaelites viii. 196 In such Michelangelesque subjects as The Wheel of Fortune, Burne-Jones's relations with the Italian masters were always to be uneasy.
1997 New Yorker 28 Apr. 216/1 Light in darkness—a concept of Michelangelesque boldness.
This entry has been updated (OED Third Edition, December 2001; most recently modified version published online March 2022).
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adj.a1806
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