mise en abymen.

Brit.

/ˌmiːz ɒn aˈbiːm/,

/ˌmiːz ɒn əˈbiːm/, U.S.

/ˈˌmiz ɑn əˈbim/

Forms: 1900s– mise-en-abîme, 1900s– mise en abyme, 1900s– mis-en-abîme.

Origin: A borrowing from French. Etymon: French mise en abyme.

Etymology: < French mise en abyme (1967 or earlier: see below) < mise (see mise n.¹) + en into + abyme , variant of abîme abysm n., after mettre en abyme (1893 in Gide: see below), in which abyme is used in the spec. heraldic sense of the centre of an escutcheon:1893 A. Gide Jrnl. (1943) I. 45 C'est la comparaison avec ce procédé du blason qui consiste, dans le premier, à en mettre un second ‘en abyme’.1967 J. Ricardou Problèmes du Nouveau Roman iv. 173 Notant ensuite l'analogie de cette enclave avec l'inclusion, en héraldique, d'un blason dans un autre, on se souvient que Gide propose de la nommer une ‘mise en abyme’. C'est ce terme que nous utiliserons désormais. Compare earlier borrowing of en abyme in a translation of Gide:1947 J. O'Brien tr. A. Gide Diary I. 30 A comparison with the device of heraldry that consists in setting in the escutcheon a smaller one ‘en abyme’ at the heart-point. That retroaction of the subject on itself has always tempted me. It is the very model of the psychological novel. Not fully naturalized in English.

Literary Theory.

(A term denoting) self-reflection within the structure of a literary work; a work employing self-reflection.

ΚΠ

1968 Yale French Stud. 41 166 The games of the film are forms of interior duplication, of mise en abîme in the Gidean sense.

1971 Compar. Lit. Stud. 8 ii. 125 In an early passage of his Journal Andre Gide described the literary and artistic procedure of interior duplication now widely referred to as ‘mise en abyme’, or ‘inescutcheon’. His examples included the inner play of Hamlet, passages in Goethe and Poe, and various paintings in which mirrors reflect aspects within the pictures themselves.

1980 Dædalus Spring 100 The metaphysical implications of this mise en abîme make use of that peculiar juxtaposition of the banal and sublime.

1991 Paragraph July 118 Freud's abbreviation ‘Herr K.’ betrays something of an ambient mark, an ‘err K’, as well as a cipher for the case itself in miniature and mise-en-abyme.

This is a new entry (OED Third Edition, June 2002; most recently modified version published online March 2022).

单词	mise en abyme
释义	mise en abymen. Brit. /ˌmiːz ɒn aˈbiːm/, /ˌmiːz ɒn əˈbiːm/, U.S. /ˈˌmiz ɑn əˈbim/ Forms: 1900s– mise-en-abîme, 1900s– mise en abyme, 1900s– mis-en-abîme. Origin: A borrowing from French. Etymon: French mise en abyme. Etymology: < French mise en abyme (1967 or earlier: see below) < mise (see mise n.¹) + en into + abyme , variant of abîme abysm n., after mettre en abyme (1893 in Gide: see below), in which abyme is used in the spec. heraldic sense of the centre of an escutcheon:1893 A. Gide Jrnl. (1943) I. 45 C'est la comparaison avec ce procédé du blason qui consiste, dans le premier, à en mettre un second ‘en abyme’.1967 J. Ricardou Problèmes du Nouveau Roman iv. 173 Notant ensuite l'analogie de cette enclave avec l'inclusion, en héraldique, d'un blason dans un autre, on se souvient que Gide propose de la nommer une ‘mise en abyme’. C'est ce terme que nous utiliserons désormais. Compare earlier borrowing of en abyme in a translation of Gide:1947 J. O'Brien tr. A. Gide Diary I. 30 A comparison with the device of heraldry that consists in setting in the escutcheon a smaller one ‘en abyme’ at the heart-point. That retroaction of the subject on itself has always tempted me. It is the very model of the psychological novel. Not fully naturalized in English. Literary Theory. (A term denoting) self-reflection within the structure of a literary work; a work employing self-reflection. ΚΠ 1968 Yale French Stud. 41 166 The games of the film are forms of interior duplication, of mise en abîme in the Gidean sense. 1971 Compar. Lit. Stud. 8 ii. 125 In an early passage of his Journal Andre Gide described the literary and artistic procedure of interior duplication now widely referred to as ‘mise en abyme’, or ‘inescutcheon’. His examples included the inner play of Hamlet, passages in Goethe and Poe, and various paintings in which mirrors reflect aspects within the pictures themselves. 1980 Dædalus Spring 100 The metaphysical implications of this mise en abîme make use of that peculiar juxtaposition of the banal and sublime. 1991 Paragraph July 118 Freud's abbreviation ‘Herr K.’ betrays something of an ambient mark, an ‘err K’, as well as a cipher for the case itself in miniature and mise-en-abyme. This is a new entry (OED Third Edition, June 2002; most recently modified version published online March 2022). < n.1968
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