oom-pah-pahn.int.

Brit.

/ˈʊmpɑːpɑː/,

/ˈuːmpɑːpɑː/, U.S.

/ˈumˌpɑˌpɑ/,

/ˈʊmˌpɑˌpɑ/

Forms: 1900s– oom-pah-pah, 1900s– oomp-pah-pah, 1900s– oompa-pa, 1900s– ump-pa-pa.

Origin: A variant or alteration of another lexical item. Etymon: oompah n.

Etymology: < oompah n., with reduplication of the second syllable.

A rhythmical sound consisting of three beats played (usually repetitively) by a band or orchestra, esp. one accompanying a waltz or polka; = oompah n. Also as int.: a representation of this sound.

ΘΚΠ

society > leisure > the arts > music > musical sound > sound of instruments > [noun] > monotonous

monotony1636

pom-pom1862

oompah1877

tiddly-om-pom-pom1909

oom-pah-pah1936

1936 I. Gershwin By Strauss (song) 7 Go tell the band If they want a hand The waltz Must be Strauss's! Ya, ya, ya!—Give me oom-pah-pah!

1982 T. Keneally Schindler's Ark v. 70 The Ump-pa-pa of Viennese waltzes was the preferred beat of the SS.

1994 Hispanic Dec. 38/1 A horn-powered style that fuses Mexican cumbias with the oom-pah-pah of polka.

This entry has been updated (OED Third Edition, June 2004; most recently modified version published online March 2022).

单词	oom-pah-pah
释义	oom-pah-pahn.int. Brit. /ˈʊmpɑːpɑː/, /ˈuːmpɑːpɑː/, U.S. /ˈumˌpɑˌpɑ/, /ˈʊmˌpɑˌpɑ/ Forms: 1900s– oom-pah-pah, 1900s– oomp-pah-pah, 1900s– oompa-pa, 1900s– ump-pa-pa. Origin: A variant or alteration of another lexical item. Etymon: oompah n. Etymology: < oompah n., with reduplication of the second syllable. A rhythmical sound consisting of three beats played (usually repetitively) by a band or orchestra, esp. one accompanying a waltz or polka; = oompah n. Also as int.: a representation of this sound. ΘΚΠ society > leisure > the arts > music > musical sound > sound of instruments > [noun] > monotonous monotony1636 pom-pom1862 oompah1877 tiddly-om-pom-pom1909 oom-pah-pah1936 1936 I. Gershwin By Strauss (song) 7 Go tell the band If they want a hand The waltz Must be Strauss's! Ya, ya, ya!—Give me oom-pah-pah! 1982 T. Keneally Schindler's Ark v. 70 The Ump-pa-pa of Viennese waltzes was the preferred beat of the SS. 1994 Hispanic Dec. 38/1 A horn-powered style that fuses Mexican cumbias with the oom-pah-pah of polka. This entry has been updated (OED Third Edition, June 2004; most recently modified version published online March 2022). < n.int.1936
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