单词 | plein-air |
释义 | plein-airadj. Art. Designating a style or school of impressionistic painting originating in France in the late 1860s, which sought to represent the transient effects of atmosphere and light by direct observation from nature. Also more generally: designating any painting, school, or style characterized by spontaneity of execution and featuring work painted out of doors, or representing outdoor scenes. ΘΚΠ society > leisure > the arts > visual arts > period, movement, or school of art > late 19th and 20th centuries > [adjective] > impressionist impressionist1876 impressionistic1886 impressionary1889 plein-airist1890 plein-air1894 intimist1903 plein-airish1932 1887 New Englander (New Haven, Connecticut) May 453 All modelling and color are despised under the pretext of the open-air (plein-air) system, without perceiving that they are losing sight of art.] 1894 Nation (N.Y.) 14 June 444/2 Mysticism has misled M. Rochegrosse into a plein-air problem, in which the meaning of his ‘Chevalier aux Fleurs’ is less puzzling than his ignoring of all values. 1898 Daily News 15 Feb. 8/5 Another of the plain-air painters of this show. 1902 L. Bénédite in Encycl. Brit. XXXII. 443/1 The ‘plein-air’, or open-air, school. 1930 Observer 6 Apr. 13 The giant Constable, the first of the plein air moderns. 1970 Daily Tel. 9 July 12 It was as a plein air painter of sunlight on landscapes and seascapes that she first succeeded. 1988 New Yorker 26 Sept. 8/3 (advt.) Plein-air paintings of Boston and its environs. 1995 Guardian 8 Aug. ii. 6/1 His career..prepared him to break with the plein-air approach that Impressionism had made central to the art of painting. Derivatives plein-ˈairish adj. [compare earlier plein-airist adj.] rare Resembling or characteristic of the plein-air school of painting. ΘΚΠ society > leisure > the arts > visual arts > period, movement, or school of art > late 19th and 20th centuries > [adjective] > impressionist impressionist1876 impressionistic1886 impressionary1889 plein-airist1890 plein-air1894 intimist1903 plein-airish1932 1932 New Statesman 23 Jan. 93/1 Finally, with the emulation of his pleinairish friends, Manet loses not only his distinction of rhythm, but a great deal of his feeling for colour. This entry has been updated (OED Third Edition, September 2006; most recently modified version published online March 2022). < adj.1894 |
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