单词 | ripresa |
释义 | ripresan. 1. Music. = repeat n. 1a; (also) †a mark of repetition (obsolete). ΘΚΠ society > leisure > the arts > music > piece of music > section of piece of music > [noun] > repeat or refrain repeat?c1450 turning1579 reprise1699 replica1724 ripresa1724 ripresa1830 pattern1920 1724 Short Explic. Foreign Words Musick Bks. 63 Represa, to Repeat; or a Repeat; a Character used in Musick, to shew where the Repeat begins. 1740 J. Grassineau tr. S. De Brossard Musical Dict. 204 Ripresa. See Repeat. 1745 D. De Coetlogon Universal Hist. Arts & Sci. II. 541/1 The Ripresa in Musick is properly a Sign or Mark, that something is to be repeated. 1876 J. Stainer & W. A. Barrett Dict. Musical Terms 379/2 Ripresa... (1) A reprise or burden. (2) A repeat. 1980 New Grove Dict. Music XVI. 51/2 Ripresa, a repeat or repetition in a general sense, including the repetition of an opera or play. 2. Music. A refrain, esp. in early Italian ballate and related forms. Cf. reprise n. 8a, ritornello n.The ripresa was linked, both metrically and musically, to the last section of the strophe, and was originally repeated after each strophe. ΘΚΠ society > leisure > the arts > music > piece of music > section of piece of music > [noun] > repeat or refrain repeat?c1450 turning1579 reprise1699 replica1724 ripresa1724 ripresa1830 pattern1920 1830 Encycl. Americana II. 489/2 The canzona usually concludes with a stanza which is shorter than the others, and is called ripresa. 1899 F. J. Snell 14th Cent. iii. 106 The ripresa is a kind of chorus prefixed to the poem, and the name suggests that it was taken up again after each strophe. 1947 E. Blom Everyman's Dict. Music 501/1 Ripresa,..a refrain, especially in the 14th–15th cent. It. ballata and frottola. 2002 L. Shepard in C. Kleinhenz Medieval Italy I. 89 In performance, the stanzas are associated with a solo voice and the ripresa is associated with a chorus. 3. Dance. A type of sideways step. historical. ΚΠ 1906 H. F. Brown tr. P. Molmenti Venice II. ii. xiii. 120 In the dances of the upper classes, the steps were divided into riverenze,..doppi, riprese. 1929 O. Kinkeldey tr. G. Ebreo in Jewish Dancing Master of Renaissance 19 Then they take hands and make two riprese, one on the left foot, the other on the right. 2008 J. Neville in Dance, Spectacle, & Body Politick, 1250–1750 vii. 163 The men arrive back beside their partners, taking hands while doing a ripresa, a step to the side. This entry has been updated (OED Third Edition, June 2010; most recently modified version published online March 2022). < n.1724 |
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