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单词 rossinian
释义

Rossinianadj.

Brit. /rɒˈsiːnɪən/, /rəˈsiːnɪən/, U.S. /rəˈsiniən/
Origin: From a proper name, combined with an English element. Etymons: proper name Rossini , -an suffix.
Etymology: < the name of Gioachino Antonio Rossini (1792–1868), Italian operatic composer + -an suffix; compare -ian suffix. Compare French rossinien (1826).
Relating to or characteristic of the music of Rossini.
ΘΚΠ
society > leisure > the arts > music > composing music > composer > [adjective] > specific composer
Purcellian1698
Handelian1770
Rossinian1823
Mozartian1828
Weberian1830
Mendelssohnian1851
Offenbachian1857
Schubertian1866
Mozart-like1870
Wagnerian1873
Brahmsite1878
Beethovenish1879
Meyerbeerian1880
Wagneresque1884
Brahmsian1887
Dvořakian1888
Mendelssohnic1889
Beethovenian1890
Lisztian1890
Elgarian1906
Puccinian1906
Palestrinian1908
Berliozian1910
Straussian1910
Schoenbergian1912
Pucciniesque1917
Chopinesque1920
Ravelian1924
Delian1925
Beethovenized1927
Rachmaninovian1927
Bartokian1929
Sibelian1935
Webernish1938
Mahlerian1939
Hindemithian1941
Bachian1945
Tchaikovskian1945
Metastasian1947
Monteverdian1947
Schumannesque1947
Stravinskian1947
Verdian1947
Webernesque1947
Mahlerish1949
Vivaldian1952
Beethovenesque1955
Meyerbeerish1962
1823 London Lit. Gaz. 19 July 462/3 The Rossinian compilation of Ricciardo e Zoraide, composed in 1818 for the Theatre Royal of San Carlos at Naples, has for the first time appeared on our stage.
1855 Putnam's Monthly Mag. Feb. 205 Praise the graceful Rossinian melodies.
1869 H. S. Edwards Life Rossini v. 55 The melody, as it now exists, is eminently Rossinian in form and style.
1897 G. B. Shaw in Sat. Rev. 20 Mar. 290/1 Passages which are Rossinian in their reliance on symmetry of melody and impressiveness of march to redeem poverty of meaning.
1927 Daily Tel. 14 June 12/6 The performance..was as full of spirit and élan as the delightful Rossinian ‘snippets’ that help to make this ballet [sc. La Boutique Fantasque] perhaps the most exhilarating thing in the whole of M. Diaghileff's repertory.
1955 E. Dent in H. Van Thal Fanfare for E. Newman 92 We sometimes find the most tragic situation set to the most cheerful music merely because the Rossinian style demands a big finale and the impression of a happy end.
2000 J. Rosselli in J. Potter Cambr. Compan. Singing viii. 98 Crescentini specially disliked the cabaletta , the last part of a Rossinian aria.
This entry has been updated (OED Third Edition, November 2010; most recently modified version published online March 2022).
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adj.1823
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