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单词 supertonic
释义

supertonicn.adj.

Brit. /ˈsuːpəˌtɒnɪk/, /ˈsjuːpəˌtɒnɪk/, U.S. /ˈsupərˌtɑnɪk/
Origin: Formed within English, by derivation; probably modelled on a French lexical item. Etymons: super- prefix, tonic n.
Etymology: < super- prefix + tonic n., probably after French sus-tonique (a1789 or earlier). Compare earlier subtonic adj. and later subtonic n. Compare also superdominant n.
Music.
A. n.
The note next above the tonic; the second of the scale.
ΘΚΠ
society > leisure > the arts > music > musical sound > pitch > system of sounds or intervals > [noun] > diatonic scale series > notes in diatonic scale
keya1450
seventh1591
fifth1597
final1609
octave1656
sub-octave1659
keynote1677
mediant1721
sensible note?1775
subdominant?1775
submediant?1775
medius1782
leading note1786
nominal1786
subsemitone1799
superdominant1806
supertonic1806
tonic1806
subtonic1817
dominant1823
sensitive note1845
nominal note1884
1806 J. W. Callcott Musical Gram. ii. v. 135 The Supertonic, or second above the Key-note.
1818 T. Busby Gram. Music 60 Whatever the key in which the octave is taken, do is the tonic, re the supertonic.
1868 F. A. G. Ouseley Treat. Harmony xi. 128 The dominant of a dominant, i.e. the supertonic.
1919 H. Grace French Organ Music Past & Present 134 The old composer's fondness for the fall of a seventh in cadences is outdone here, Widor leaping from the supertonic to the ninth below.
1989 P. van der Merwe Origins Pop. Style (1992) xxvi. 234 The descent from the mediant or supertonic to the dominant which occurs in most of these tunes ((e″) d″ c″ a′ g′).
2009 D. Katz Janáček beyond Borders v. 103 Both passages start on the fifth degree, move to the tonic, up to the supertonic, and back down to the tonic.
B. adj. (attributive).
Relating to the supertonic of a scale; (esp. of a chord) having the supertonic as its root.
ΘΚΠ
society > leisure > the arts > music > musical sound > harmony or sounds in combination > chord > [adjective] > root of chord
fundamental1610
radical1721
supertonic1867
rooted1883
1867 G. A. Macfarren Six Lect. Harmony iv. 125 The chromatic raising of the 3rd in the supertonic chord.
1889 E. Prout Harmony xiii. 135 The chord of the supertonic seventh.
1922 Jrnl. Hellenic Stud. 42 141 The C mode may be taken in Scales I, II, or III. IV is used when a passing modulation is made into the supertonic minor.
1933 Musical Times Feb. 120/1 The grace-notes combine to suggest the Supertonic Minor Ninth.
2009 D. Heartz Mozart, Haydn & Early Beethoven ii. 208 The aria..continues with the rich sound of a supertonic seventh chord inverted so that the seventh, G, is in the bass.
This entry has been updated (OED Third Edition, June 2012; most recently modified version published online March 2022).
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n.adj.1806
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