When complete it must have formed a splendid screen, standing behind the high-altar.

For the church of the same monks, also, he painted the panel of the high-altar, the upper part of which is done in a good manner.

In the interior of the church, the wooden altar-screen over the high-altar dated from 1616.

Above the high-altar the whole wall is covered with Luini's loveliest work, in excellent light and far from ill preserved.