Ivanov, Lev

(lyĕf ēvä`nôf), 1834–1901, Russian dancer, teacher, choreographer, and ballet-master. Ivanov was assistant to chief ballet-master Marius PetipaPetipa, Marius
, 1818–1910, French dancer and choreographer, b. Marseilles. Petipa rose to prominence at the Imperial Theatre in St. Petersburg. He was the principal creator of the modern classical ballet.
..... Click the link for more information. at the Imperial St. Petersburg Theatres and was instrumental in the development of the classic romantic ballet in Russia. When Petipa fell ill, Ivanov created the choreography for The Nutcracker (1892) to the music of Tchaikovsky. After Tchaikovsky's death, the previously unsuccessful Swan Lake (1877) was revised with choreography by Petipa and Ivanov, each doing alternate acts in varying styles. His other major works include revivals or stagings of La Fille Mal Gardée, The Enchanted Forest, The Magic Flute, and Cinderella. Ivanov sought a closer relationship of dance and music, thereby influencing the work of later choreographers, including Michel FokineFokine, Michel
, 1880–1942, Russian-American choreographer and ballet dancer, b. Russia. He studied at the Imperial Ballet School (1889–98) and danced at the Mariinsky Theatre, St. Petersburg.
..... Click the link for more information. .

Ivanov, Lev Ivanovich

Born Feb. 18 (Mar. 2), 1834, in Moscow; died Dec. 11 (24), 1901, in St. Petersburg. Russian ballet dancer and choreographer.

Upon graduating from the St. Petersburg Theatrical School in 1852, Ivanov was accepted into the Imperial Ballet, where he became premier danseur in 1869. He was the first to perform the roles of Gyges in Pugni’s Le Roi Candaule and Basil and Solor in Minkus’ Don Quixote and La Bayadere. In 1885 he became assistant balletmaster of the Mariinskii Theater, working with M.I. Petipa. In 1887, Ivanov staged the ballets The Enchanted Forest by Drigo and The Tulip of Harlem by Schell in the Romantic tradition. Exceptional musicality allowed him to create outstanding models of the symphonic treatment of the dance, both character (the Polovetsian dances in Borodin’s opera Prince Igor, 1890) and classical (dance of the snowflakes in The Nutcracker, 1892, and Acts II and IV in Swan Lake, 1895, both by Tchaikovsky). The poetic quality of the characters was embodied by Ivanov in perfect choreographic form. His work represents the highest point of the academic style in the history of Russian ballet.

REFERENCE

Krasovskaia, V. Russkii baletnyi teatr vtoroi poloviny XIX veka. Leningrad-Moscow, 1963. Pages 337–401.

V. M. KRASOVSKAIA

单词	ivanov, lev
释义	Ivanov, Lev Ivanov, Lev (lyĕf ēvä`nôf), 1834–1901, Russian dancer, teacher, choreographer, and ballet-master. Ivanov was assistant to chief ballet-master Marius PetipaPetipa, Marius , 1818–1910, French dancer and choreographer, b. Marseilles. Petipa rose to prominence at the Imperial Theatre in St. Petersburg. He was the principal creator of the modern classical ballet. ..... Click the link for more information. at the Imperial St. Petersburg Theatres and was instrumental in the development of the classic romantic ballet in Russia. When Petipa fell ill, Ivanov created the choreography for The Nutcracker (1892) to the music of Tchaikovsky. After Tchaikovsky's death, the previously unsuccessful Swan Lake (1877) was revised with choreography by Petipa and Ivanov, each doing alternate acts in varying styles. His other major works include revivals or stagings of La Fille Mal Gardée, The Enchanted Forest, The Magic Flute, and Cinderella. Ivanov sought a closer relationship of dance and music, thereby influencing the work of later choreographers, including Michel FokineFokine, Michel , 1880–1942, Russian-American choreographer and ballet dancer, b. Russia. He studied at the Imperial Ballet School (1889–98) and danced at the Mariinsky Theatre, St. Petersburg. ..... Click the link for more information. . Ivanov, Lev Ivanovich Born Feb. 18 (Mar. 2), 1834, in Moscow; died Dec. 11 (24), 1901, in St. Petersburg. Russian ballet dancer and choreographer. Upon graduating from the St. Petersburg Theatrical School in 1852, Ivanov was accepted into the Imperial Ballet, where he became premier danseur in 1869. He was the first to perform the roles of Gyges in Pugni’s Le Roi Candaule and Basil and Solor in Minkus’ Don Quixote and La Bayadere. In 1885 he became assistant balletmaster of the Mariinskii Theater, working with M.I. Petipa. In 1887, Ivanov staged the ballets The Enchanted Forest by Drigo and The Tulip of Harlem by Schell in the Romantic tradition. Exceptional musicality allowed him to create outstanding models of the symphonic treatment of the dance, both character (the Polovetsian dances in Borodin’s opera Prince Igor, 1890) and classical (dance of the snowflakes in The Nutcracker, 1892, and Acts II and IV in Swan Lake, 1895, both by Tchaikovsky). The poetic quality of the characters was embodied by Ivanov in perfect choreographic form. His work represents the highest point of the academic style in the history of Russian ballet. REFERENCE Krasovskaia, V. Russkii baletnyi teatr vtoroi poloviny XIX veka. Leningrad-Moscow, 1963. Pages 337–401. V. M. KRASOVSKAIA
随便看	a1-antitrypsin: a1at a1-antitrypsin and a1-antitrypsin phenotyping a1-antitrypsin deficiency a1-antitrypsin deficiency panniculitis a1-antitrypsin phenotyping: a1at phenotype a1ar a1a scenic & historic coastal byway a1-at a1at a1-at phenotype a1bg a1 blockade at reperfusion a1c a1c-derived average glucose a1ce a 1 day wonder a 1-day wonder a1 (disambiguation) a1-fetoprotein a1 freeway a1g a1h a1 jet fuel a1-lipoprotein a1-lipoprotein cholesterol