Neo-Classicism

a European movement of the late 18th century differing from earlier classical revivals in that it deliberately and consciously imitated antique models such as those found between 1738-56 in Herculaneum, Paestum, and Pompeii. — Neo-Classicist, n. — Neo-Classic, Neo-Classical, adj.See also: Art

neo-classicism

(c 1750–1850) A movement that developed in revolutionary France, expressing the qualities of harmony, order and clarity associated with Greek and Roman art. Classical subjects were used as allegories for the present political situation. The antithesis of romanticism, it espoused accepted notions of beauty and tended to reject individual inspiration.

Neo-Classicism

(1900–1920)A revival stylebased primarily on Greek and to a lesser extent on Roman orders, producing symmetrically arranged buildings of monumental proportions. Colossal pedimented porticos were flanked by a series of pilasters. The arch was not used, and enriched moldings are rare. The preference was for simple geometric forms and smooth surfaces. The design was based on the assembly of separate volumes, each dedicated to a single function.

单词	neo-classicism
释义	Neo-Classicism Neo-Classicism a European movement of the late 18th century differing from earlier classical revivals in that it deliberately and consciously imitated antique models such as those found between 1738-56 in Herculaneum, Paestum, and Pompeii. — Neo-Classicist, n. — Neo-Classic, Neo-Classical, adj.See also: Art neo-classicism (c 1750–1850) A movement that developed in revolutionary France, expressing the qualities of harmony, order and clarity associated with Greek and Roman art. Classical subjects were used as allegories for the present political situation. The antithesis of romanticism, it espoused accepted notions of beauty and tended to reject individual inspiration. Neo-Classicism Neo-Classicism (1900–1920)A revival stylebased primarily on Greek and to a lesser extent on Roman orders, producing symmetrically arranged buildings of monumental proportions. Colossal pedimented porticos were flanked by a series of pilasters. The arch was not used, and enriched moldings are rare. The preference was for simple geometric forms and smooth surfaces. The design was based on the assembly of separate volumes, each dedicated to a single function. ThesaurusSeeneoclassicism
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