Makar Grigorevich Ekmalian

Ekmalian, Makar Grigor’evich

Born Jan. 21 (Feb. 2), 1856, in Vagarshapat; died Mar. 6 (19), 1905, in Tbilisi. Armenian composer.

In 1888, Ekmalian graduated from the St. Petersburg Conservatory, where he had studied in the class of N. A. Rimsky-Korsakov. He taught at the Nersesian School in Tbilisi, where he created an excellent men’s choir, from 1891 to 1902. In 1893–94 he was a teacher and rector of the Tbilisi Music School.

Ekmalian played a prominent role in the development of Armenian music. His major contributions—arrangements of peasant folk songs, first published in Yerevan in 1970, and the choral a capella liturgy Patarag (published in Leipzig-Vienna, 1896)—are bright pages of the nation’s classical music heritage. Ekmalian wrote the cantata.Rosa’s Wanderings (1888), a symphonic overture, choruses, art songs, and piano pieces.

REFERENCES

Komitas, hotvacner ev usumnasimt-’yunner. Yerevan, 1941. At’ayan, R. “Makar Ekmalyani mshakac norahayt geghjuk ergere.” Sovetakan arvest, 1968, no. 12.

单词	makar grigorevich ekmalian
释义	Makar Grigorevich Ekmalian Ekmalian, Makar Grigor’evich Born Jan. 21 (Feb. 2), 1856, in Vagarshapat; died Mar. 6 (19), 1905, in Tbilisi. Armenian composer. In 1888, Ekmalian graduated from the St. Petersburg Conservatory, where he had studied in the class of N. A. Rimsky-Korsakov. He taught at the Nersesian School in Tbilisi, where he created an excellent men’s choir, from 1891 to 1902. In 1893–94 he was a teacher and rector of the Tbilisi Music School. Ekmalian played a prominent role in the development of Armenian music. His major contributions—arrangements of peasant folk songs, first published in Yerevan in 1970, and the choral a capella liturgy Patarag (published in Leipzig-Vienna, 1896)—are bright pages of the nation’s classical music heritage. Ekmalian wrote the cantata.Rosa’s Wanderings (1888), a symphonic overture, choruses, art songs, and piano pieces. REFERENCES Komitas, hotvacner ev usumnasimt-’yunner. Yerevan, 1941. At’ayan, R. “Makar Ekmalyani mshakac norahayt geghjuk ergere.” Sovetakan arvest, 1968, no. 12.
随便看	between-subject variation between the buried and me between the buttons between the devil and the deep blue sea between the ears between the/ ears between the hammer and the anvil between their ears between the jigs and the reels between the legs between the light of ordered bodies between the lines between the lions between the notes between the/(one's) ears between the pipes between the sheets between the sticks between the tides between the trees between the wars between the words betweentime between times betweentimes