passacaglia

enUK

pas·sa·ca·glia

P0095500 (pä′sə-käl′yə, păs′ə-kăl′yə)n.1. A Spanish dance in 3/4 time.2. The music for this dance.

[Italian, From Spanish pasacalle : pasar, to pass, step; see pase + calle, street (from Latin callis, call-, path).]

passacaglia

(ˌpæsəˈkɑːljə) n1. (Dancing) an old Spanish dance in slow triple time2. (Music, other) a slow instrumental piece characterized by a series of variations on a particular theme played over a repeated bass part. See also chaconne¹[C17: earlier passacalle, from Spanish pasacalle street dance, from paso step + calle street; the ending -alle was changed to -aglia to suggest an Italian origin]

pas•sa•ca•glia

(ˌpɑ səˈkɑl yə, ˌpæs əˈkæl-)

n., pl. -glias. 1. a slow, dignified dance of Spanish origin. 2. the music for this dance, based on an ostinato figure. 3. a musical form based on continuous variations over a ground bass. [1650–60; pseudo-Italian sp. of earlier passacalle < Sp pasacalle literally, step (i.e., dance) in the street =pasar to step, pace¹ + calle street (< Latin callem, acc. of callis path)]

Translations

pasacallepassacaille

passacaglia

enUK

passacaglia:

see chaconne and passacagliachaconne and passacaglia
, two closely related musical forms popular during the baroque period. Both are in triple meter time and employ a characteristic recurring harmonic pattern or actual bass line of four or eight
..... Click the link for more information. .

Passacaglia

(1) An old Spanish dance that became popular in Western European countries in the 17th-18th centuries. The tempo is slow, and the meter triple. The passacaglia was in vogue at the court of Louis XIV in France.

(2) An instrumental piece (usually for organ or harpsichord), the foundation of which is the basso ostinato (ground bass). As a rule, the passacaglia is majestic; sometimes it is sorrowful or tragic. It is in 3/4 or 3/2 meter. Among the composers who wrote passacaglias are D. Buxtehude, F. Couperin, J. S. Bach, and G. F. Handel. Since the end of the 19th century, the form has been used by C. Franck and M. Ravel (France), P. Hindemith (Germany), and D. D. Shostakovich (USSR; the Eighth Symphony, the Piano Trio, and the Violin Concerto No. 1).

单词	passacaglia
释义	passacaglia enUK pas·sa·ca·glia P0095500 (pä′sə-käl′yə, păs′ə-kăl′yə)n.1. A Spanish dance in 3/4 time.2. The music for this dance. [Italian, From Spanish pasacalle : pasar, to pass, step; see pase + calle, street (from Latin callis, call-, path).] passacaglia (ˌpæsəˈkɑːljə) n1. (Dancing) an old Spanish dance in slow triple time2. (Music, other) a slow instrumental piece characterized by a series of variations on a particular theme played over a repeated bass part. See also chaconne¹[C17: earlier passacalle, from Spanish pasacalle street dance, from paso step + calle street; the ending -alle was changed to -aglia to suggest an Italian origin] pas•sa•ca•glia (ˌpɑ səˈkɑl yə, ˌpæs əˈkæl-) n., pl. -glias. 1. a slow, dignified dance of Spanish origin. 2. the music for this dance, based on an ostinato figure. 3. a musical form based on continuous variations over a ground bass. [1650–60; pseudo-Italian sp. of earlier passacalle < Sp pasacalle literally, step (i.e., dance) in the street =pasar to step, pace¹ + calle street (< Latin callem, acc. of callis path)] Translations pasacallepassacaille passacaglia enUK passacaglia: see chaconne and passacagliachaconne and passacaglia , two closely related musical forms popular during the baroque period. Both are in triple meter time and employ a characteristic recurring harmonic pattern or actual bass line of four or eight ..... Click the link for more information. . Passacaglia (1) An old Spanish dance that became popular in Western European countries in the 17th-18th centuries. The tempo is slow, and the meter triple. The passacaglia was in vogue at the court of Louis XIV in France. (2) An instrumental piece (usually for organ or harpsichord), the foundation of which is the basso ostinato (ground bass). As a rule, the passacaglia is majestic; sometimes it is sorrowful or tragic. It is in 3/4 or 3/2 meter. Among the composers who wrote passacaglias are D. Buxtehude, F. Couperin, J. S. Bach, and G. F. Handel. Since the end of the 19th century, the form has been used by C. Franck and M. Ravel (France), P. Hindemith (Germany), and D. D. Shostakovich (USSR; the Eighth Symphony, the Piano Trio, and the Violin Concerto No. 1).
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