Eisler, Hanns

(häns īs`lər), 1898–1962, German composer, pupil of Arnold SchoenbergSchoenberg, Arnold
, 1874–1951, Austrian composer, b. Vienna. Before he became a U.S. citizen in 1941 he spelled his name Schönberg. He revolutionized modern music by abandoning tonality and developing a twelve-tone, "serial" technique of composition (see serial
..... Click the link for more information. . In 1926, he joined the German Communist party, thereafter producing protest songs and other music expressive of left-wing ideals, and began a collaboration with Bertolt BrechtBrecht, Bertolt
, 1898–1956, German dramatist and poet, b. Eugen Berthold Friedrich Brecht. His brilliant wit, his outspoken Marxism, and his revolutionary experiments in the theater made Brecht a vital and controversial force in modern drama.
..... Click the link for more information. . He fled Naziism for the United States in 1933, settled in Los Angeles, created scores for a variety of films, and became musical assistant to Charlie ChaplinChaplin, Charlie
(Sir Charles Spencer Chaplin), 1889–1977, English film actor, director, producer, writer, and composer, b. London. Chaplin began on the music-hall stage and then joined a pantomime troupe.
..... Click the link for more information. (1942–47). Called before the notorious House Committee on Un-American Activities in 1947 and castigated as a Communist, he left the United States in 1948, living first in Vienna and then in East Berlin, where he wrote music for 17 films and numerous plays as well as a large number of songs in cabaret style. During his career, he also wrote symphonies, choral compositions, chamber music, and art songs. His music is rigorously crafted, witty, and expressive. Eisler also wrote the book Composing for the Films (1947).

Eisler, Hanns

Born July 6, 1898, in Leipzig; died Sept. 6, 1962, in Berlin. German composer and public figure (German Democratic Republic [GDR]). Member of the Academy of Arts of the GDR.

Eisler studied composition in Vienna with A. Schönberg from 1919 to 1923 and took up residence in Berlin in 1924. Although his early works show the influence of his teacher, Eisler’s progressive views, his study of Marxism, and his increasing contacts with the revolutionary movement made his art more democratic. Eisler worked closely with E. Weinert, B. Brecht, and the singer E. Busch, who performed many of his songs for the masses, and he taught and addressed workers’ choral groups.

Eisler composed many workers’ songs, marches, and ballads on current political topics, such as “Song of Solidarity,” “Song of the Unemployed,” “Song of the United Front,” “Red Wedding,” and “The Comintern.” He was a founder of a new style of revolutionary song for the masses. In addition, he composed works in the larger forms, including Requiem for Lenin (1937) and music for theatrical productions, notably the music to Brecht’s The Measures Taken (1930).

In 1938, after the fascists had come to power, Eisler emigrated to the USA, where he worked in Hollywood. Accused of un-American activities, he left the USA in 1948 as a “voluntary deportee.” He settled in Berlin in 1948 and played an active role in developing the musical culture of the GDR. In 1950 he began teaching composition at the Academy of Arts of the GDR and music theory at the Hochschule für Musik, which is now named in his honor. He helped found the Union of Composers and Musicologists of the GDR.

Eisler’s most important works include the cantatas German Symphony (1937), Serenade of the Age (1950), and The Carpet-weavers of Kuyan-Bulak (1957) and the symphonic triptych Song of Peace (1951). In his finest works Eisler combines the characteristic features of mass and revolutionary songs with varied means of musical expression. He used polyphony, atonal music, jazz elements, and folk song effects. Rhythm is an important organizing principle in Eisler’s vocal music, in which extensive use is made of recitative. His symphonic music is notable for its complex and subtle orchestration.

Eisler composed the national anthem of the GDR (words by Brecht), and he was awarded the National Prize of the GDR in 1949 and 1958.

REFERENCES

Druskin, M. Gans Eisler i rabochee muzykal’noe dvizhenie v Germanii. Moscow, 1934.
Rebling, E. “Gans Eisler.” Sovetskaia muzyka, 1957, no. 6.
Nest’ev, I. Gans Eisler i ego pesennoe tvorchestvo. Moscow, 1962.

M. M. IAKOVLEV

单词	eisler, hanns
释义	Eisler, Hanns Eisler, Hanns (häns īs`lər), 1898–1962, German composer, pupil of Arnold SchoenbergSchoenberg, Arnold , 1874–1951, Austrian composer, b. Vienna. Before he became a U.S. citizen in 1941 he spelled his name Schönberg. He revolutionized modern music by abandoning tonality and developing a twelve-tone, "serial" technique of composition (see serial ..... Click the link for more information. . In 1926, he joined the German Communist party, thereafter producing protest songs and other music expressive of left-wing ideals, and began a collaboration with Bertolt BrechtBrecht, Bertolt , 1898–1956, German dramatist and poet, b. Eugen Berthold Friedrich Brecht. His brilliant wit, his outspoken Marxism, and his revolutionary experiments in the theater made Brecht a vital and controversial force in modern drama. ..... Click the link for more information. . He fled Naziism for the United States in 1933, settled in Los Angeles, created scores for a variety of films, and became musical assistant to Charlie ChaplinChaplin, Charlie (Sir Charles Spencer Chaplin), 1889–1977, English film actor, director, producer, writer, and composer, b. London. Chaplin began on the music-hall stage and then joined a pantomime troupe. ..... Click the link for more information. (1942–47). Called before the notorious House Committee on Un-American Activities in 1947 and castigated as a Communist, he left the United States in 1948, living first in Vienna and then in East Berlin, where he wrote music for 17 films and numerous plays as well as a large number of songs in cabaret style. During his career, he also wrote symphonies, choral compositions, chamber music, and art songs. His music is rigorously crafted, witty, and expressive. Eisler also wrote the book Composing for the Films (1947). Eisler, Hanns Born July 6, 1898, in Leipzig; died Sept. 6, 1962, in Berlin. German composer and public figure (German Democratic Republic [GDR]). Member of the Academy of Arts of the GDR. Eisler studied composition in Vienna with A. Schönberg from 1919 to 1923 and took up residence in Berlin in 1924. Although his early works show the influence of his teacher, Eisler’s progressive views, his study of Marxism, and his increasing contacts with the revolutionary movement made his art more democratic. Eisler worked closely with E. Weinert, B. Brecht, and the singer E. Busch, who performed many of his songs for the masses, and he taught and addressed workers’ choral groups. Eisler composed many workers’ songs, marches, and ballads on current political topics, such as “Song of Solidarity,” “Song of the Unemployed,” “Song of the United Front,” “Red Wedding,” and “The Comintern.” He was a founder of a new style of revolutionary song for the masses. In addition, he composed works in the larger forms, including Requiem for Lenin (1937) and music for theatrical productions, notably the music to Brecht’s The Measures Taken (1930). In 1938, after the fascists had come to power, Eisler emigrated to the USA, where he worked in Hollywood. Accused of un-American activities, he left the USA in 1948 as a “voluntary deportee.” He settled in Berlin in 1948 and played an active role in developing the musical culture of the GDR. In 1950 he began teaching composition at the Academy of Arts of the GDR and music theory at the Hochschule für Musik, which is now named in his honor. He helped found the Union of Composers and Musicologists of the GDR. Eisler’s most important works include the cantatas German Symphony (1937), Serenade of the Age (1950), and The Carpet-weavers of Kuyan-Bulak (1957) and the symphonic triptych Song of Peace (1951). In his finest works Eisler combines the characteristic features of mass and revolutionary songs with varied means of musical expression. He used polyphony, atonal music, jazz elements, and folk song effects. Rhythm is an important organizing principle in Eisler’s vocal music, in which extensive use is made of recitative. His symphonic music is notable for its complex and subtle orchestration. Eisler composed the national anthem of the GDR (words by Brecht), and he was awarded the National Prize of the GDR in 1949 and 1958. REFERENCES Druskin, M. Gans Eisler i rabochee muzykal’noe dvizhenie v Germanii. Moscow, 1934. Rebling, E. “Gans Eisler.” Sovetskaia muzyka, 1957, no. 6. Nest’ev, I. Gans Eisler i ego pesennoe tvorchestvo. Moscow, 1962. M. M. IAKOVLEV
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