Christian Dietrich Grabbe

Grabbe, Christian Dietrich

Born Dec. 11, 1801, in Detmold; died there Sept. 12, 1836. German writer.

Grabbe was the son of a prison warden. He studied law at the Universities of Leipzig and Berlin. His first works were the tragedy Duke Theodor von Gothland (written in 1822 and published in 1827), the comedy Farces, Satire, Irony, and Deeper Meaning (published in 1827), and the tragedy Don Juan and Faust (1829). In his tragedies from the unfinished Hohenstaufen cycle, Emperor Friedrich Barbarossa (1829) and Emperor Heinrich VI (1830), and also in his drama Napoleon, or the Hundred Days (1831), Grabbe showed the influence exerted by the masses of people on the fate of his protagonist. His last dramas, Hannibal (1835) and The Herman Battle (1836), portray the ordinary people’s love of freedom in a heroic light, but the conflicts in these dramas always remain tragically undecided. The realistic elements in his work are combined with romantic conventionality.

WORKS

Sämtliche Werke, vols. 1–6. Berlin, 1912.
Werke und Briefe, vols. 1. 3. Darmstadt, 1960–61. (Uncompleted edition.)
Dramatische Dichtungen, vols. 1–3. Berlin. 1944.

REFERENCES

Mehring. F. Literaturno-kriticheskie stat’i, vol. 2. Moscow-Leningrad, 1934. Pages 24–32.
Lundberg, E. “Khristian Grabbe.” Internatsional’naia literatura, 1936. no. 12.
Reiman.P. Osnovnye techeniia v nemetskoi literature, 1750–1848. Moscow, 1959.
Bergmann, A. Chr. D. Grabbe. Detmold, 1954.
Böttger, F. Grabbe. Berlin, 1963.
Steffens, W. Chr. D. Grabbe [Hannover, 1966.]

E. IA. RUBINOVA

单词	christian dietrich grabbe
释义	Christian Dietrich Grabbe Grabbe, Christian Dietrich Born Dec. 11, 1801, in Detmold; died there Sept. 12, 1836. German writer. Grabbe was the son of a prison warden. He studied law at the Universities of Leipzig and Berlin. His first works were the tragedy Duke Theodor von Gothland (written in 1822 and published in 1827), the comedy Farces, Satire, Irony, and Deeper Meaning (published in 1827), and the tragedy Don Juan and Faust (1829). In his tragedies from the unfinished Hohenstaufen cycle, Emperor Friedrich Barbarossa (1829) and Emperor Heinrich VI (1830), and also in his drama Napoleon, or the Hundred Days (1831), Grabbe showed the influence exerted by the masses of people on the fate of his protagonist. His last dramas, Hannibal (1835) and The Herman Battle (1836), portray the ordinary people’s love of freedom in a heroic light, but the conflicts in these dramas always remain tragically undecided. The realistic elements in his work are combined with romantic conventionality. WORKS Sämtliche Werke, vols. 1–6. Berlin, 1912. Werke und Briefe, vols. 1. 3. Darmstadt, 1960–61. (Uncompleted edition.) Dramatische Dichtungen, vols. 1–3. Berlin. 1944. REFERENCES Mehring. F. Literaturno-kriticheskie stat’i, vol. 2. Moscow-Leningrad, 1934. Pages 24–32. Lundberg, E. “Khristian Grabbe.” Internatsional’naia literatura, 1936. no. 12. Reiman.P. Osnovnye techeniia v nemetskoi literature, 1750–1848. Moscow, 1959. Bergmann, A. Chr. D. Grabbe. Detmold, 1954. Böttger, F. Grabbe. Berlin, 1963. Steffens, W. Chr. D. Grabbe [Hannover, 1966.] E. IA. RUBINOVA
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