| 单词 | forgery | ||||||
| 释义 | forgeryfor·ger·yF0261000 (fôr′jə-rē)forgery(ˈfɔːdʒərɪ)for•ger•y(ˈfɔr dʒə ri, ˈfoʊr-)n., pl. -ger•ies.
forgeryforgerynounforge2(foːdʒ) verbforgery→ 伪造zhCNforgeryforgery,in criminal law, willful fabrication or alteration of a written document with the intent to injure the interests of another in a fraudulent manner. The crime may be committed even though the fraudulent scheme fails. The forgery of government obligations—e.g., money, bonds, postage stamps—constitutes the separate offense of counterfeitingcounterfeiting,manufacturing spurious coins, paper money, or evidences of governmental obligation (e.g., bonds) in the semblance of the true. There must be sufficient resemblance to the genuine article to deceive a person using ordinary caution. ..... Click the link for more information. . Typical examples of forgery are making insertions or alterations in otherwise valid documents and appending another's signature to a document without permission. It is, of course, lawful to sign another's signature as his attorney or representative so long as there is no plan to commit fraud. Most instances of forgery occur in connection with instruments for the payment of money. The crime may also concern documents of title, e.g., deeds, or public documents, including birth and marriage certificates. In the United States forgery ordinarily is a state crime; but to send forged documents through the post office may constitute the federal crime of mail fraud. forgery,in art, the false claim to authenticity for a work of art.The Nature of ForgeryBecause the provenance of works of art is seldom clear and because their origin is often judged by means of subtle factors, art forgery has always been commonplace. The sorts of deception involved include the complete production of a work that is passed off as being of a particular period, false claims regarding materials or workmanship, the piecing together of old fragments to simulate antiquity, the selling as originals of faithful copies that were not intended to be taken as anything but copies, and the false attribution of minor works to great masters. Forgeries are distinguished from falsifications, which include copies or even mechanical reproductions not initially meant to pass for the original, in that they are intended to defraud. These sorts of deceptions, made for financial gain, reflect prevailing taste and fashion, conventions in collecting, and current modes of art criticism. See also counterfeitingcounterfeiting, Early HistoryArt falsification and forgery are ancient endeavors, but they were not so widely practiced before the collection of antiques came into vogue (see antique collectingantique collecting, The Proliferation of ForgeryLarge numbers of forgeries of antique works have invariably followed directly after great archaeological discoveries, e.g., the 18th-century unearthing of Pompeii and Herculaneum resulted in quantities of forged Roman paintings. Museums are among the principal victims of such handiwork: Pietro Pennelli's fake antique terra-cotta pottery found its way into the Louvre in 1873. Copies of Parthenon sculpture in England were determined as forgeries by Bernard Ashmole in 1954. A bronze horse, purportedly an antique Greek work, and an Etruscan warrior are two famous cases of forged sculpture brought to light at the Metropolitan Museum of Art. Thousands of lesser faked objects are displayed in private and public collections. Museum authorities, in an effort to avoid being duped, are sometimes overzealous in their rejection of works that are difficult to integrate within accepted concepts of stylistic development. The Fayum portraits of early Christian Egypt were just such a case. There is, of course, some opposition to revealing known frauds; an object's reputation may stand in an uneasy limbo of doubted authenticity for years. The 20th cent., with its ever-increasing emphasis on the financial value of works of art, has witnessed the discovery of two master forgers. Alceo Dossena of Cremona (1878–1936) was a sculptor expert in the carving techniques of antiquity, the Middle Ages, and the Renaissance. His work was of the highest quality and not made in deliberate imitation of the styles he admired; rather he was inspired by them to the creation of his own, similar works. His Virgin and Child in the 15th-century Florentine manner is at the Victoria and Albert Museum. Hans van Meergeren (1884–1947), a mediocre Dutch painter, claimed to have discovered several lost paintings by Vermeer. He sold them to Hermann Goering and was put on trial after World War II for selling national treasures. Van Meergeren proved himself innocent by painting another "Vermeer" in his jail cell. Controversy has often raged over the authenticity of the Mona Lisa in the Louvre; each of five other versions has been credited with being the original. The number of forgeries of the works of Corot and of the American painters A. P. RyderRyder, Albert Pinkham, Detecting ForgeriesA forger often unconsciously produces a confusion of styles or subtly accents elements reflecting contemporary bias. A major example is the work passed off as Lucas Cranach's by the brilliant German forger F. W. Rohrich (1787–1834). He imbued these paintings with a touch of the Biedermeier aesthetic, prevalent in his own day, that later betrayed their falsity. The 19th-century Russian creator of the famous tiara of Saïtapharnes (Louvre), an engraved headdress in gold, supposedly a Scythian work of the 3d cent. B.C., borrowed freely from motifs displayed in 19th-century publications concerning recent excavations. Despite modern technological advances, much forgery remains impervious to detection by other than empirical means. Critical expertise in the styles and aesthetics of various periods is still the principal tool of the authenticator. Artistic clumsiness, a jumble of styles or motifs, and a discernible emphasis on the aesthetic values of the forger's own day more consistently reveals fakery than does technical analysis. Nonetheless, such contemporary tools as X-ray, infrared, and ultraviolet photography are employed to reveal pentimentopentimento In addition, craquelurecraquelure BibliographySee P. B. Coremans, Van Meegeren's Faked Vermeers and De Hooghs (tr. 1949); B. Ashmole, Forgeries of Ancient Sculpture (1961); O. Kurz, Fakes (2d ed. 1967); A. Rieth, Archaeological Fakes (1967, tr. 1970); T. Hoving, False Impressions: The Hunt for Big-Time Art Fakes (1996); T. Lenain, Art Forgery: The History of a Modern Obsession (2012); J. Koobatian, ed., Faking It: An International Bibliography of Art and Literary Forgeries, 1949–1986 (1987). Forgeryin art. (1) The preparation Of works of fine, decorative, or applied art in imitation of a particular historical style or the style of a well-known master. Forgery is done with the intent of sale. (2) A forged work of art. A forgery is seldom a copy of an original. It most often is a variation upon an original or a compilation of characteristic motifs from several originals. Forgers, some of whom are very talented, imitate the stylistic details of a specific era or the artistic style of a particular master artist, painstakingly copying all his distinctive techniques. For greater verisimilitude, they use old materials and old technical devices. Forgers simulate the effects of age, such as patina on stone and metal and craquelures on paintings. They create artificial gaps and fragmentation, allegedly caused by the passage of time. REFERENCESLibman, M., and G. Ostrovskii. Poddel’nye shedevry. Moscow [1966].Friedländer, M. J. Echt und Unecht. Berlin, 1929. Goll, J. Konstfälscher. Leipzig, 1962. ForgeryforgeryforgeryForgeryThe creation of a false written document or alteration of a genuine one, with the intent to defraud. Forgery consists of filling in blanks on a document containing a genuine signature, or materially altering or erasing an existing instrument. An underlying intent to defraud, based on knowledge of the false nature of the instrument, must accompany the act. Instruments of forgery may include bills of exchange, bills of lading, promissory notes, checks, bonds, receipts, orders for money or goods, mortgages, discharges of mortgages, deeds, public records, account books, and certain kinds of tickets or passes for transportation or events. Statutes define forgery as a felony. Punishment generally consists of a fine or imprisonment, or both. Methods of forgery include handwriting, printing, engraving, and typewriting. The related crime of uttering a forged document occurs when an inauthentic writing is intentionally offered as genuine. Some modern statutes include this crime with forgery. Perhaps the most famous case of forgery in the twentieth century took place in 1983 with the "discovery" of the Hitler diaries. The diaries supposedly contained passages written by German dictator Adolf Hitler between 1932 and 1945. Gerd Heidemann, a German reporter for Stern magazine, had claimed the writings as genuine and sold them. He had obtained them from Konrad Kujau, a Stuttgart dealer in military memorabilia and documents. The magazines Newsweek and Paris Match, along with other media, paid more than $5 million for the documents. Major news sources around the world quickly published major stories detailing the historical information that the diaries allegedly contained. Investigative experts from around the world later conducted forensic examinations on the diaries and found the documents to be fake. Kujau then admitted forging the diaries, and news sources immediately retracted their coverage. Both Kujau and Heidemann were sentenced to four and a half years in a German prison—but not before Kujau embarrassed the media even further by forging Hitler autographs for spectators at his circuslike trial. In the United States, the Mormon Bible forgeries resulted in more extreme consequences. Beginning in the early 1980s, Mark Hofmann, a disillusioned Salt Lake City Mormon and part-time dealer in historical documents, forged documents of major importance to Mormon history. He sold most of the creations to the Mormon Church and to others interested in Mormon religious history. Hofmann reaped hundreds of thousands of dollars from his Fraud. His boldest forgery, the White Salamander letter, cast doubt on the credibility of the Mormon Church's founder, Joseph Smith. In this letter, Hofmann portrayed Smith as a dabbler in folk magic and the occult, which greatly distressed the Mormon community. When individuals within Hofmann's ring of buyers raised doubts about the authenticity of one of his later creations, Hofmann murdered one buyer and the spouse of another before their suspicions became public. Hofmann was charged with murder and fraud. Prosecutors relied on Expert Testimony regarding the authenticity of the documents. When the experts declared that the documents were worthless, Hofmann's attorneys offered to plea bargain on the counts of forgery and second-degree murder. The prosecution agreed to negotiate the charges to avoid an embarrassing trial for the Mormon Church. Hofmann pleaded guilty to murder. In January 1988, the Utah Board of Pardons sentenced Hofmann to life in prison without Parole. Most forgeries are less sensational than those in the Hitler diaries and Mormon Bible cases. Common forgery usually involves manufacturing or tampering with documents for economic gain. The intent to defraud remains essential. Counterfeiting, often associated with forgery, is a separate category of fraud involving the manufacture, alteration, or distribution of a product that is of lesser value than the genuine product. Further readingsBowman, Frank O., III. 2001. "The 2001 Federal Economic Crime Sentencing Reforms: An Analysis and Legislative History." Indiana Law Review 35 (winter): 5–101. Bozeman, Pat. 1990. Forged Documents. New Castle, Del.: Oak Knoll Books. Brayer, Ruth. 2000. Detecting Forgery in Fraud Investigations: The Insider's Guide. Alexandria, Va.: ASIS International. Nickell, Joe. 1996. Detecting Forgery: Forensic Investigation of Documents. Lexington, Ky.: Univ. Press of Kentucky. Perez, Jacob. 1992. Forgery and Fraud-Related Offenses in Six States, 1983–1988. Justice Department. Washington, D.C.: U.S. Government Printing Office. Rendell, Kenneth W. 1994. Forging History. Norman, Okla., and London: Univ. of Oklahoma Press. Treasury Department. U.S. Secret Service. 1991. Counterfeiting and Forgery. Washington, D.C.: U.S. Government Printing Office. forgeryn. 1) the crime of creating a false document, altering a document, or writing a false signature for the illegal benefit of the person making the forgery. This includes improperly filling in a blank document, like a automobile purchase contract, over a buyer's signature, with the terms different from those agreed. It does not include such innocent representation as a staff member autographing photos of politicians or movie stars. While similar to forgery, counterfeiting refers to the creation of phoney money, stock certificates, or bonds which are negotiable for cash. 2) a document or signature falsely created or altered. (See: forger, counterfeit, fraud) forgeryan offence in English law of making a false instrument so that it may be accepted as genuine. Where a signature on a bill of exchange has been forged or placed on the bill without the authority of the person whose signature it purports to be, such signature is wholly inoperative, so that no right to retain the bill or to give a discharge therefor or to enforce payment against any party to the bill can be acquired through or under the signature unless the party against whom it is sought to retain or enforce payment is precluded from setting up the forgery or want of authority as a defence. In the criminal law of Scotland, it is not in itself a crime. See UTTERING.forgeryforgeryA counterfeit signature or instrument.A forged deed is void and gives no rights, even to innocent purchasers for value. If title insurance was purchased by an owner, however, that owner may make a claim for compensation,or the title insurance company may take steps to buy out any competing claims. forgery
Synonyms for forgery
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forgery - a copy that is represented as the original