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单词 chaconne
释义

chaconne

enUK

cha·conne

C0222300 (shä-kôn′, -kŏn′)n.1. a. A slow, stately dance in triple time of the 1700s.b. The music for this dance.2. A form consisting of variations based on a reiterated harmonic pattern.
[French, from Spanish chacona, a kind of dance in quick tempo, of unknown origin.]

chaconne

(ʃəˈkɒn; French ʃakɔn) n1. (Classical Music) a musical form consisting of a set of continuous variations upon a ground bass. See also passacaglia2. (Dancing) archaic a dance in slow triple time probably originating in Spain[C17: from French, from Spanish chacona, probably imitative of the castanet accompaniment]

cha•conne

(ʃæˈkɔn, -ˈkɒn, ʃɑ-)

n. 1. a musical form based on the continuous variation of a series of chords or of a ground bass. 2. an old dance, of Spanish origin. [1675–85; < French < Sp chacona]

chaconne

An old Spanish dance.
Translations
chaconne

chaconne

enUK

chaconne

1. a musical form consisting of a set of continuous variations upon a ground bass 2. Archaic a dance in slow triple time probably originating in Spain

Chaconne

 

an old dance. The chaconne originated in the late 16th century and acquired its characteristic stately, majestic quality in the 17th century. It is danced in a slow tempo, in ¾ time. J. B. Lully used chaconnes as concluding pieces in his ballets.

In the 17th and 18th centuries the chaconne developed as an instrumental piece with a theme repeated in the bass, in a manner similar to the passacaglia. A chaconne for violin with bass attributed to T. Vitali and the chaconne from J. S. Bach’s Partita in D Minor for Unaccompanied Violin became especially popular. Many pieces have been composed in the chaconne form, including Beethoven’s 32 Variations on an Original Theme in C Minor for Piano. Composers of the 17th and 18th centuries used the chaconne form in opera finales.

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更新时间:2024/11/12 2:06:37