Copeau, Jacques

(zhäk kôpō`), 1879–1949, French theatrical producer and critic. A founder (1909) and editor (1912–14) of the Nouvelle Revue française, he established the experimental Théâtre du Vieux Colombier in Paris (1913–24) in order to produce poetic drama of artistic worth. Ever in search of a more truthful and direct performance style, Copeau was an influential figure in the modern theater. He encouraged many young dramatists and actors and also introduced the use of symbolic scene design.

Bibliography

See W. Fowlie, Dionysus in Paris (1960).

Copeau, Jacques

Born Feb. 4,1879, in Paris; died Oct. 20, 1949, in Beaune, department of Cote d’Or. French stage director, actor, and theater figure.

Copeau studied in the department of language and literature at the Sorbonne and became a literary and dramatic critic. In 1913 he founded the Théâtre de Vieux Colombier in Paris, which he directed until 1924 (he worked in the USA from 1917 to 1919). Copeau presented plays by Moliere (The Miser, 1913, and Les Fourberies de Scapin, 1917), Shakespeare (Twelfth Night, 1914), Goldoni, Gozzi, Gogol, and Merimée, as well as contemporary drama—for example, Remains’ Cromedeyre-le-vieil (1920) and S. S. Tenacity (1920) and Michel Auclair (1922) by Vildrac.

Copeau wanted to create profound, poetic productions, advocated edifying, ethical interpretations of art, and decried the crass mediocrity of the commercial theater. He opened a drama school in 1915. His views on the art of acting and his system of teaching in many ways resembled Stanislavsky’s. His own best performances were in roles that were infused with irony (Jaques in As You Like It by Shakespeare) or intense philosophical in-sight (Ivan Karamazov in his adaptation of Dostoevsky’s The Brothers Karamazov ). Between 1936 and 1940 he worked in the Comédie Françhise.

Copeau was the author of the plays Morning Fog (1897) and Native Home (1924). One of the founders of modern French theater, Copeau influenced such actors as L. Jouvet, C. Dullin, J. Villar, J.-L. Barrault, and A. Barsacq.

WORKS

Souvenirs du Vieux-Colombier. Paris, 1931.
Notes sur le métier de comedien. Paris, 1955.

REFERENCE

Kurtz, M. Jacques Copeau. Paris [1950].

单词	copeau, jacques
释义	Copeau, Jacques Copeau, Jacques (zhäk kôpō`), 1879–1949, French theatrical producer and critic. A founder (1909) and editor (1912–14) of the Nouvelle Revue française, he established the experimental Théâtre du Vieux Colombier in Paris (1913–24) in order to produce poetic drama of artistic worth. Ever in search of a more truthful and direct performance style, Copeau was an influential figure in the modern theater. He encouraged many young dramatists and actors and also introduced the use of symbolic scene design. Bibliography See W. Fowlie, Dionysus in Paris (1960). Copeau, Jacques Born Feb. 4,1879, in Paris; died Oct. 20, 1949, in Beaune, department of Cote d’Or. French stage director, actor, and theater figure. Copeau studied in the department of language and literature at the Sorbonne and became a literary and dramatic critic. In 1913 he founded the Théâtre de Vieux Colombier in Paris, which he directed until 1924 (he worked in the USA from 1917 to 1919). Copeau presented plays by Moliere (The Miser, 1913, and Les Fourberies de Scapin, 1917), Shakespeare (Twelfth Night, 1914), Goldoni, Gozzi, Gogol, and Merimée, as well as contemporary drama—for example, Remains’ Cromedeyre-le-vieil (1920) and S. S. Tenacity (1920) and Michel Auclair (1922) by Vildrac. Copeau wanted to create profound, poetic productions, advocated edifying, ethical interpretations of art, and decried the crass mediocrity of the commercial theater. He opened a drama school in 1915. His views on the art of acting and his system of teaching in many ways resembled Stanislavsky’s. His own best performances were in roles that were infused with irony (Jaques in As You Like It by Shakespeare) or intense philosophical in-sight (Ivan Karamazov in his adaptation of Dostoevsky’s The Brothers Karamazov ). Between 1936 and 1940 he worked in the Comédie Françhise. Copeau was the author of the plays Morning Fog (1897) and Native Home (1924). One of the founders of modern French theater, Copeau influenced such actors as L. Jouvet, C. Dullin, J. Villar, J.-L. Barrault, and A. Barsacq. WORKS Souvenirs du Vieux-Colombier. Paris, 1931. Notes sur le métier de comedien. Paris, 1955. REFERENCE Kurtz, M. Jacques Copeau. Paris [1950].
随便看	frohes neues jahr frohlich frohlich, alfred frohlich dwarfism frohlich's syndrome frohlichs syndrome frohlich syndrome frohman, charles frohman, daniel frohn frohn, damianus frohn reagent frohn township, minnesota froi froid froid appliqué génie climatique froid-climatisation-chauffage-tuyauterie froid climatisation commercial industriel froid climatisation cuisine équipements froid climatisation melgorienne froid climatisation service froid climatisation sud ouest froid climatisation techniques froid des mascareignes froid et cuisines industrielles et de restauration