Friedlaender, Walter

(frēd`lĕndər), 1873–1966, American art historian, b. Germany. Friedlaender pursued a distinguished academic career in Germany until 1934 and afterward taught at New York Univ. His best-known works on 16th- and 17th-century art include Caravaggio Studies (1955), his edition of The Drawings of Nicolas Poussin (3 vol., 1939–55), and Mannerism and Anti-Mannerism in Italian Painting (1957), all basic works in their fields. Friedlaender's David to Delacroix (tr. 1952) is a broad and important survey in the study of 19th-century art. His publications in German include studies on 16th-century architecture at the Vatican (1912) and on Claude Lorrain (1921).

Friedlaender, Walter

(1873–1966) art historian; born in Berlin, Germany. He studied Sanskrit at the University of Berlin (Ph.D. 1898), then studied art history and lived in Italy for several years. Beginning in 1914 he taught at the University of Freiburg, was dismissed by the Nazis (1933), and emigrated to New York City (1935). He taught at New York University beginning in 1935, and specialized in subjects ranging from the mannerist style of the Renaissance to 19th-century art.

单词	friedlaender, walter
释义	Friedlaender, Walter Friedlaender, Walter (frēd`lĕndər), 1873–1966, American art historian, b. Germany. Friedlaender pursued a distinguished academic career in Germany until 1934 and afterward taught at New York Univ. His best-known works on 16th- and 17th-century art include Caravaggio Studies (1955), his edition of The Drawings of Nicolas Poussin (3 vol., 1939–55), and Mannerism and Anti-Mannerism in Italian Painting (1957), all basic works in their fields. Friedlaender's David to Delacroix (tr. 1952) is a broad and important survey in the study of 19th-century art. His publications in German include studies on 16th-century architecture at the Vatican (1912) and on Claude Lorrain (1921). Friedlaender, Walter (1873–1966) art historian; born in Berlin, Germany. He studied Sanskrit at the University of Berlin (Ph.D. 1898), then studied art history and lived in Italy for several years. Beginning in 1914 he taught at the University of Freiburg, was dismissed by the Nazis (1933), and emigrated to New York City (1935). He taught at New York University beginning in 1935, and specialized in subjects ranging from the mannerist style of the Renaissance to 19th-century art.
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