| 释义 |
Definition of Petrarchan in English: Petrarchanadjective pɪˈtrɑːk(ə)npəˈträrkən Denoting a sonnet of the kind used by the Italian poet Petrarch, with an octave rhyming abbaabba, and a sestet typically rhyming cdcdcd or cdecde. Example sentencesExamples - In Tottel's 221, the poet's revision of Petrarchan neoplatonism relies upon contemporary Catholic religious sensibilities that centralize the body in worship.
- Throughout the Sonnets, Barrett Browning deliberately invokes the Petrarchan sonnet tradition only to revise it according to her own historical moment.
- By Wroth's day, such Petrarchan sonnets would have been considered standard, established, sanctioned, and, primarily, conservative.
- Consisting of sixteen lines rhymed in four abba quatrains, the Modern Love sonnets at least visually acknowledge both Tennyson's In Memoriam and the Petrarchan sonnet tradition.
- As we shall see, both negative and positive representations of such Catholic practices and identities abound in early modern visual images, sermons, and, for our purposes, Petrarchan poems.
Rhymes Aachen, darken, hearken, kraken, Marcan Definition of Petrarchan in US English: Petrarchanadjectivepəˈträrkən Denoting a sonnet of the kind used by the Italian poet Petrarch, with an octave rhyming abbaabba, and a sestet typically rhyming cdcdcd or cdecde. Example sentencesExamples - Consisting of sixteen lines rhymed in four abba quatrains, the Modern Love sonnets at least visually acknowledge both Tennyson's In Memoriam and the Petrarchan sonnet tradition.
- Throughout the Sonnets, Barrett Browning deliberately invokes the Petrarchan sonnet tradition only to revise it according to her own historical moment.
- By Wroth's day, such Petrarchan sonnets would have been considered standard, established, sanctioned, and, primarily, conservative.
- In Tottel's 221, the poet's revision of Petrarchan neoplatonism relies upon contemporary Catholic religious sensibilities that centralize the body in worship.
- As we shall see, both negative and positive representations of such Catholic practices and identities abound in early modern visual images, sermons, and, for our purposes, Petrarchan poems.
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