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单词 interiority
释义

Definition of interiority in English:

interiority

noun ɪnˌtɪərɪˈɒrɪtiɪnˌtɪriˈɔrɪdi
mass noun
  • 1The quality of being interior or inward.

    Example sentencesExamples
    • It is also the point of reference for a spatial politics that guides our differentiation between interiority and exteriority, immediate environment and wider culture.
    • The ‘anaesthetised rhythm’ of hypnosis creates an extremely dense, claustrophobic atmosphere of interiority.
    • The titles help explain this interiority by suggesting that hotel swimming pools, not architectural elevations, are the focus of this investigation of the urban scene.
    • The audience is perhaps most acutely aware of the boundary between interiority / exteriority, insider/outsider when a spectator crosses the line and becomes part of the performance action.
    • Without dancers on the floor, that reference suggests the interiority of gallery space, subject to people moving across it, from one way of passing the time to another, with uniformed attendants.
    1. 1.1 Inner character; subjectivity.
      the profound interiority of faith
      Example sentencesExamples
      • Further, upon reflection, we may become more aware of our own interiority, become more intimate with ourselves, with thoughts, desires, motives that we have not previously acknowledged.
      • Such a contrast would be impossible in a traditional epic, according to Lukacs, because the age of epic comes prior to psychic interiority or subjectivity.
      • I take it that it relates to your effort to construct or explore models of subjectivity and interiority which might be opposed to the reduced existence enforced by the institutions of modern culture and the modern state.
      • For this critic, interiority is the exclusive preserve of the ‘modem’ subject.
      • This theory of reflexivity and authentic subjectivity is closely related to Schweickart's concept of interiority.
      • He also describes ‘the principle of subjective interiority, the inward concern’ as one of the main themes of romanticism.
      • In Possessed, however, she enters the realm of individual character, interiority and a potentially novelistic point of view.
      • The concept of social persons, she argues, dialectically links subjective interiority to the social world by habituation.
      • An omniscient point of view is reinforced throughout the film by a combination of visual motifs (shots of sky, clouds and high-angle compositions), and by detaching the viewer from the characters' interiority.
      • It is also worth noting that Marlow's narrative demands to be read and evaluated by a community of readers that views subjective interiority as the condition of historical civilization.
      • I take up this question by first examining how the animal serves Marlow's narrative agenda of highlighting the capacities he considers proper to human being: reason, interiority, and history.
      • The normative characteristics of the modem subject include identity, boundedness, autonomy, interiority, depth, and centrality.
      • Indeed this Austrian arch-opponent of the pseudo-sciences would surely have been more sympathetic to Bergson's conception of music as having contact with a verbally unrepresentable interiority.
      • It is to his credit that he manages to elicit our sympathy without ever betraying the character's maddening interiority.
      • First, there is a turn to interiority, to subjectivity, beyond the Thomistic synthesis.
      • To put it schematically, I show that the animal runs alongside and undermines the narrative belief in subjective interiority as the sole marker of historical being.
      • As creator, the writer puts his or her own subjectivity in play by projecting it into the interiority of the character enmeshed in the social world represented in the novel.
      • As much as truth may define itself against falseness, at the theater interiority can only be realized as theatricality, subjectivity as impersonation, and authenticity as style.
      • I think what you're trying to describe here is the way that the films withhold access to an interiority that often functions to explain a character's behaviour.

Origin

Early 18th century: from medieval Latin interioritas, from Latin interior 'inner'.

 
 

Definition of interiority in US English:

interiority

nounɪnˌtɪriˈɔrɪdiinˌtirēˈôridē
  • 1The quality of being interior or inward.

    Example sentencesExamples
    • The audience is perhaps most acutely aware of the boundary between interiority / exteriority, insider/outsider when a spectator crosses the line and becomes part of the performance action.
    • The ‘anaesthetised rhythm’ of hypnosis creates an extremely dense, claustrophobic atmosphere of interiority.
    • Without dancers on the floor, that reference suggests the interiority of gallery space, subject to people moving across it, from one way of passing the time to another, with uniformed attendants.
    • It is also the point of reference for a spatial politics that guides our differentiation between interiority and exteriority, immediate environment and wider culture.
    • The titles help explain this interiority by suggesting that hotel swimming pools, not architectural elevations, are the focus of this investigation of the urban scene.
    1. 1.1 Inner character or nature; subjectivity.
      the profound interiority of faith
      Example sentencesExamples
      • As creator, the writer puts his or her own subjectivity in play by projecting it into the interiority of the character enmeshed in the social world represented in the novel.
      • An omniscient point of view is reinforced throughout the film by a combination of visual motifs (shots of sky, clouds and high-angle compositions), and by detaching the viewer from the characters' interiority.
      • Indeed this Austrian arch-opponent of the pseudo-sciences would surely have been more sympathetic to Bergson's conception of music as having contact with a verbally unrepresentable interiority.
      • The concept of social persons, she argues, dialectically links subjective interiority to the social world by habituation.
      • It is also worth noting that Marlow's narrative demands to be read and evaluated by a community of readers that views subjective interiority as the condition of historical civilization.
      • First, there is a turn to interiority, to subjectivity, beyond the Thomistic synthesis.
      • The normative characteristics of the modem subject include identity, boundedness, autonomy, interiority, depth, and centrality.
      • To put it schematically, I show that the animal runs alongside and undermines the narrative belief in subjective interiority as the sole marker of historical being.
      • Further, upon reflection, we may become more aware of our own interiority, become more intimate with ourselves, with thoughts, desires, motives that we have not previously acknowledged.
      • As much as truth may define itself against falseness, at the theater interiority can only be realized as theatricality, subjectivity as impersonation, and authenticity as style.
      • He also describes ‘the principle of subjective interiority, the inward concern’ as one of the main themes of romanticism.
      • This theory of reflexivity and authentic subjectivity is closely related to Schweickart's concept of interiority.
      • I think what you're trying to describe here is the way that the films withhold access to an interiority that often functions to explain a character's behaviour.
      • I take up this question by first examining how the animal serves Marlow's narrative agenda of highlighting the capacities he considers proper to human being: reason, interiority, and history.
      • For this critic, interiority is the exclusive preserve of the ‘modem’ subject.
      • In Possessed, however, she enters the realm of individual character, interiority and a potentially novelistic point of view.
      • It is to his credit that he manages to elicit our sympathy without ever betraying the character's maddening interiority.
      • Such a contrast would be impossible in a traditional epic, according to Lukacs, because the age of epic comes prior to psychic interiority or subjectivity.
      • I take it that it relates to your effort to construct or explore models of subjectivity and interiority which might be opposed to the reduced existence enforced by the institutions of modern culture and the modern state.

Origin

Early 18th century: from medieval Latin interioritas, from Latin interior ‘inner’.

 
 
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更新时间:2025/2/5 4:24:12