释义 |
Definition of cantilena in English: cantilenanounˌkantɪˈliːnəˌkantɪˈleɪnəˌkantəˈlēnə Music The part carrying the melody in a composition. long string cantilenas run through works like the symphonies Example sentencesExamples - The misterioso tremolo opening of the third movement was particularly effective, likewise the unison string cantilenas and some wonderful feather-light arabesques on piano.
- The pounding, persistent bass gradually allows a fine cantilena to develop.
- This is what electronic music sounded like in the 1960s. Just when the listener thinks he has Vasks's number, however, Vasks writes a beautiful cantilena for the soloist, and the concerto takes on a new dimension.
- As his close friend Ivan Sollertinsky remarked, Shostakovich was ‘perhaps the first among Russian composers to make his heroes speak not in conventional arias and cantilenas but in living language, setting everyday speech to music’.
- The cantilena of the concerto's opening, with its progressively widening intervals, is a cracker and contains one of the most original cadenzas I have heard.
Origin Mid 18th century: from Italian, from Latin, 'song'. Rhymes abstainer, arcana, campaigner, Cana, caner, complainer, container, detainer, drainer, entertainer, explainer, Gaenor, gainer, Gaynor, grainer, Jena, Lena, maintainer, Marlene, N'Djamena, obtainer, ordainer, planar, planer, profaner, Rayner, retainer, scena, seiner, Sinn Feiner, strainer, sustainer, trainer, uniplanar Definition of cantilena in US English: cantilenanounˌkantəˈlēnə Music A lyrical vocal or instrumental melody in a composition. long string cantilenas run through works like the symphonies Example sentencesExamples - The pounding, persistent bass gradually allows a fine cantilena to develop.
- The cantilena of the concerto's opening, with its progressively widening intervals, is a cracker and contains one of the most original cadenzas I have heard.
- The misterioso tremolo opening of the third movement was particularly effective, likewise the unison string cantilenas and some wonderful feather-light arabesques on piano.
- This is what electronic music sounded like in the 1960s. Just when the listener thinks he has Vasks's number, however, Vasks writes a beautiful cantilena for the soloist, and the concerto takes on a new dimension.
- As his close friend Ivan Sollertinsky remarked, Shostakovich was ‘perhaps the first among Russian composers to make his heroes speak not in conventional arias and cantilenas but in living language, setting everyday speech to music’.
Origin Mid 18th century: from Italian, from Latin, ‘song’. |