| 释义 |
‖ Verfremdungseffekt|fɛrˈfrɛmdʊŋsɛˌfɛkt|
[Ger.: see alienation 1 d.]
= alienation effect s.v. alienation 1 d. Similarly Verˈfremdung, distancing, alienation (occas. in sense of alienation 1 c).
1945Kenyon Rev. VII. 470 The distancing (‘Verfremdung’) which Brecht desires is complemented by his concreteness which makes any escape from the reality demonstrated upon the stage impossible. 1951World Rev. Jan. 67/2 Brecht generally sticks closely and with success to his technique of alienation (Verfremdungseffekt, he calls it). 1959New Statesman 28 Mar. 442/2 His famous principle of Verfremdung, for example: of the distancing of the actor from his part, of breaking that theatrical illusion which mesmerises the audience into a witless passivity. 1960J. Bayley Characters of Love iii. 145 We are to feel nothing but alienation, a Brechtian Verfremdungseffekt. 1980Times Lit. Suppl. 17 Oct. 1172/5 Rylance Waters..provides a brilliant Verfremdungseffekt. 1981F. Inglis Promise of Happiness iii. 86 If, with Marx, we are to speak of Verfremdung, estrangement or alienation, as the most destructive and wounding experience of labour under capitalism. |