diazeucticadj.

/dʌɪəˈzjuːktɪk/

Etymology: < Greek διαζευκτικός disjunctive, < διαζευγνύναι to disjoin, < διά apart + ζευγνύναι (stem ζευγ-) to join.

Disjunctive; applied, in ancient Greek Music, to the interval of a tone separating disjunct tetrachords; also to the tetrachords (= disjunct adj.).

ΘΚΠ

society > leisure > the arts > music > musical sound > pitch > interval > [adjective] > others

Pythagorean1653

diazeuctic1698

redundant1753

direct1828

parallel1876

1698 J. Wallis in Philos. Trans. (Royal Soc.) 20 250 The Difference of which, is La mi. Which is, what the Greeks call, the Diazeuctick Tone; which doth Dis-join two Fourths..and, being added to either of them, doth make a Fifth.

1761 Philos. Trans. 1760 (Royal Soc.) 51 709 The position of the diazeuctic tone.

1874 W. Chappell Hist. Mus. I. 129 At the base of each Octave was a ‘diazeuctic’, or Major tone.

Derivatives

diaˈzeuxis n. [Greek διάζευξις] the separation of two tetrachords by a tone.

ΚΠ

1876 J. Stainer & W. A. Barrett Dict. Musical Terms 134/1 Diazeuxis, the separation of two tetrachords by a tone.

This entry has not yet been fully updated (first published 1895; most recently modified version published online March 2022).

单词	diazeuctic
释义	diazeucticadj. /dʌɪəˈzjuːktɪk/ Etymology: < Greek διαζευκτικός disjunctive, < διαζευγνύναι to disjoin, < διά apart + ζευγνύναι (stem ζευγ-) to join. Disjunctive; applied, in ancient Greek Music, to the interval of a tone separating disjunct tetrachords; also to the tetrachords (= disjunct adj.). ΘΚΠ society > leisure > the arts > music > musical sound > pitch > interval > [adjective] > others Pythagorean1653 diazeuctic1698 redundant1753 direct1828 parallel1876 1698 J. Wallis in Philos. Trans. (Royal Soc.) 20 250 The Difference of which, is La mi. Which is, what the Greeks call, the Diazeuctick Tone; which doth Dis-join two Fourths..and, being added to either of them, doth make a Fifth. 1761 Philos. Trans. 1760 (Royal Soc.) 51 709 The position of the diazeuctic tone. 1874 W. Chappell Hist. Mus. I. 129 At the base of each Octave was a ‘diazeuctic’, or Major tone. Derivatives diaˈzeuxis n. [Greek διάζευξις] the separation of two tetrachords by a tone. ΚΠ 1876 J. Stainer & W. A. Barrett Dict. Musical Terms 134/1 Diazeuxis, the separation of two tetrachords by a tone. This entry has not yet been fully updated (first published 1895; most recently modified version published online March 2022). < adj.1698
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