Mantegnesqueadj.

Brit.

/mantɛnˈjɛsk/,

/manteɪnˈjɛsk/, U.S.

/ˌmænteɪnˈjɛsk/

Origin: From a proper name, combined with an English element. Etymons: proper name Mantegna , -esque suffix.

Etymology: < the name of Andrea Mantegna (1431–1506), Italian painter and engraver + -esque suffix.

Art.

Characteristic of or resembling the style of Mantegna (distinguished by a clarity of drawing and use of colour, a skilled use of foreshortening and perspective, and a keen interest in antiquarian and architectural detail). Of an artist: working in the style of Mantegna.

ΚΠ

1871 J. A. Crowe & G. B. Cavalcaselle Hist. Painting N. Italy I. v. 77 (note) The sides in the Venice Academy..represent St. Sebastian, with a kneeling figure of Mantegnesque realism (head injured).

1939 Burlington Mag. Apr. 194/1 The tonality and the Mantegnesque character of drawing are indeed what one might expect from an early work by Gentile.

1970 Renaissance Q. 23 284 Gilbert postulates an interchange of ideas between the little-known Mantegnesque Bono of Ferrara and Piero.

1992 D. Landau in J. Martineau Andrea Mantegna 60 Giovanni Antonio da Brescia was a prolific engraver who made at least 130 other prints besides the Mantegnesque ones.

This is a new entry (OED Third Edition, September 2000; most recently modified version published online March 2022).

单词	mantegnesque
释义	Mantegnesqueadj. Brit. /mantɛnˈjɛsk/, /manteɪnˈjɛsk/, U.S. /ˌmænteɪnˈjɛsk/ Origin: From a proper name, combined with an English element. Etymons: proper name Mantegna , -esque suffix. Etymology: < the name of Andrea Mantegna (1431–1506), Italian painter and engraver + -esque suffix. Art. Characteristic of or resembling the style of Mantegna (distinguished by a clarity of drawing and use of colour, a skilled use of foreshortening and perspective, and a keen interest in antiquarian and architectural detail). Of an artist: working in the style of Mantegna. ΚΠ 1871 J. A. Crowe & G. B. Cavalcaselle Hist. Painting N. Italy I. v. 77 (note) The sides in the Venice Academy..represent St. Sebastian, with a kneeling figure of Mantegnesque realism (head injured). 1939 Burlington Mag. Apr. 194/1 The tonality and the Mantegnesque character of drawing are indeed what one might expect from an early work by Gentile. 1970 Renaissance Q. 23 284 Gilbert postulates an interchange of ideas between the little-known Mantegnesque Bono of Ferrara and Piero. 1992 D. Landau in J. Martineau Andrea Mantegna 60 Giovanni Antonio da Brescia was a prolific engraver who made at least 130 other prints besides the Mantegnesque ones. This is a new entry (OED Third Edition, September 2000; most recently modified version published online March 2022). < adj.1871
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