talean.

/ˈtɑːliːə/

Forms: Plural taleæ.

Etymology: Latin, lit. stick, cutting.

Music.

A repeated rhythmic pattern in late-medieval isorhythmic motets.

ΘΚΠ

society > leisure > the arts > music > musical sound > duration of notes > proportion of notes or rhythm > [noun] > rhythmic pattern (medieval)

talea1944

1944 W. Apel Harvard Dict. Music 367/1 The repeated scheme of time-values which is used in the sections A, B, C and..in D, is called talea in 14th-century treatises.

1960 New Oxf. Hist. Music III. v. 145 The rhythmical pattern of the first section or talea serves to determine the formal structure of the whole... The melodic development of the individual taleae is now entirely subordinate to a rigid framework dictated by rhythm.

1963 Listener 17 Jan. 141/1 The structural skeleton of the movement is sixteen rotations of the melody, containing fifteen rotations of the rhythmic pattern or talea.

1974 Early Music 2 220 In some [motets] the isorhythmic voices are constructed not only with a talea (the rhythmic pattern) but also a color.

This entry has not yet been fully updated (first published 1986; most recently modified version published online June 2018).

单词	talea
释义	talean. /ˈtɑːliːə/ Forms: Plural taleæ. Etymology: Latin, lit. stick, cutting. Music. A repeated rhythmic pattern in late-medieval isorhythmic motets. ΘΚΠ society > leisure > the arts > music > musical sound > duration of notes > proportion of notes or rhythm > [noun] > rhythmic pattern (medieval) talea1944 1944 W. Apel Harvard Dict. Music 367/1 The repeated scheme of time-values which is used in the sections A, B, C and..in D, is called talea in 14th-century treatises. 1960 New Oxf. Hist. Music III. v. 145 The rhythmical pattern of the first section or talea serves to determine the formal structure of the whole... The melodic development of the individual taleae is now entirely subordinate to a rigid framework dictated by rhythm. 1963 Listener 17 Jan. 141/1 The structural skeleton of the movement is sixteen rotations of the melody, containing fifteen rotations of the rhythmic pattern or talea. 1974 Early Music 2 220 In some [motets] the isorhythmic voices are constructed not only with a talea (the rhythmic pattern) but also a color. This entry has not yet been fully updated (first published 1986; most recently modified version published online June 2018). < n.1944
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