Caravaggiesqueadj.

/ˌkarəvaˈdʒɛsk/

/ˌkarəvadʒɪˈɛsk/

Forms: Also Caravaggioesque.

Etymology: < the name Caravaggio (see below) + -esque suffix.

Of, resembling, or characteristic of the Italian painter Michelangelo Merisi Caravaggio (1573–1610), or his works.

ΘΚΠ

society > leisure > the arts > visual arts > period, movement, or school of art > Italian Renaissance or 14-16th century > [adjective] > style of specific artist

Titianic1739

Titianesque1771

Raphaelesque1772

Michelangelesquea1806

Raphaelic1817

Peruginesque1842

Raphaelite1855

Leonardesque1864

Perugian1864

Botticellian1880

Giottesque1880

Titian1886

Holbeinesque1895

Botticellesque1901

Verrocchian1902

Giorgionesque1906

Orcagnesque1910

Caravaggiesque1925

Verrocchiesque1933

1925 A. Huxley Along the Road iii. 184 The most spectacular Caravaggioesque light and shade.

1936 Burlington Mag. Mar. 132/1 A Caravaggiesque Madonna.

1938 Burlington Mag. Jan. 4/1 The third great style of the century is the ‘Caravaggesque’.

1958 Spectator 24 Jan. 106/2 As a painter of religious or genre subjects in artificial light he has obvious associations with the Caravaggesque.

This entry has not yet been fully updated (first published 1972; most recently modified version published online December 2020).

单词	caravaggiesque
释义	Caravaggiesqueadj. /ˌkarəvaˈdʒɛsk//ˌkarəvadʒɪˈɛsk/ Forms: Also Caravaggioesque. Etymology: < the name Caravaggio (see below) + -esque suffix. Of, resembling, or characteristic of the Italian painter Michelangelo Merisi Caravaggio (1573–1610), or his works. ΘΚΠ society > leisure > the arts > visual arts > period, movement, or school of art > Italian Renaissance or 14-16th century > [adjective] > style of specific artist Titianic1739 Titianesque1771 Raphaelesque1772 Michelangelesquea1806 Raphaelic1817 Peruginesque1842 Raphaelite1855 Leonardesque1864 Perugian1864 Botticellian1880 Giottesque1880 Titian1886 Holbeinesque1895 Botticellesque1901 Verrocchian1902 Giorgionesque1906 Orcagnesque1910 Caravaggiesque1925 Verrocchiesque1933 1925 A. Huxley Along the Road iii. 184 The most spectacular Caravaggioesque light and shade. 1936 Burlington Mag. Mar. 132/1 A Caravaggiesque Madonna. 1938 Burlington Mag. Jan. 4/1 The third great style of the century is the ‘Caravaggesque’. 1958 Spectator 24 Jan. 106/2 As a painter of religious or genre subjects in artificial light he has obvious associations with the Caravaggesque. This entry has not yet been fully updated (first published 1972; most recently modified version published online December 2020). < adj.1925
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