Behrman, S. N.

(Samuel Nathaniel Behrman) (bâr`mən), 1893–1973, American dramatist, b. Worcester, Mass., grad. Harvard 1916. His sophisticated comedies often attempt to probe the consciences of the wealthy and privileged. They include The Second Man (1927), Rain from Heaven (1934), No Time for Comedy (1939), Fanny (1954) with Joshua Logan, and Lord Pengo (1962). His books include an autobiography, The Worcester Account (1954), and a biography of Max Beerbohm (1960).

Behrman, S. N. (Samuel Nathaniel)

(1893–1973) playwright, screenwriter, journalist; born in Worcester, Mass. He studied at Clark University before enrolling at Harvard (B.A. 1916) where he studied in George Pierce Baker's playwriting course. His first sophisticated comedy, The Second Man (1927), was a hit. Working with the Theater Guild, he wrote several adaptations for the Lunts, Amphitryon 38 (1937) and I Know My Love (1949). He cofounded the Playwrights' Company in 1938 and wrote the autobiographical drama, No Time for Comedy (1939). A writer of screenplays for Hollywood, he was also author of Duveen (1952), a profile of the art collector, and Portrait of Max (1960), a biography of Max Beerbohm.

单词	behrman, s. n.
释义	Behrman, S. N. Behrman, S. N. (Samuel Nathaniel Behrman) (bâr`mən), 1893–1973, American dramatist, b. Worcester, Mass., grad. Harvard 1916. His sophisticated comedies often attempt to probe the consciences of the wealthy and privileged. They include The Second Man (1927), Rain from Heaven (1934), No Time for Comedy (1939), Fanny (1954) with Joshua Logan, and Lord Pengo (1962). His books include an autobiography, The Worcester Account (1954), and a biography of Max Beerbohm (1960). Behrman, S. N. (Samuel Nathaniel) (1893–1973) playwright, screenwriter, journalist; born in Worcester, Mass. He studied at Clark University before enrolling at Harvard (B.A. 1916) where he studied in George Pierce Baker's playwriting course. His first sophisticated comedy, The Second Man (1927), was a hit. Working with the Theater Guild, he wrote several adaptations for the Lunts, Amphitryon 38 (1937) and I Know My Love (1949). He cofounded the Playwrights' Company in 1938 and wrote the autobiographical drama, No Time for Comedy (1939). A writer of screenplays for Hollywood, he was also author of Duveen (1952), a profile of the art collector, and Portrait of Max (1960), a biography of Max Beerbohm.
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