enharmonic

en·har·mon·ic

E0149300 (ĕn′här-mŏn′ĭk)adj. Music Of, relating to, or involving tones that are identical in pitch but are written differently according to the key in which they occur, as C sharp and D flat, for example.

[Late Latin enharmonicus, from Greek enarmonios : en-, in; see en-² + harmoniā, harmony; see harmony.]

en′har·mon′i·cal·ly adv.

enharmonic

(ˌɛnhɑːˈmɒnɪk) adj1. (Music, other) denoting or relating to a small difference in pitch between two notes such as A flat and G sharp: not present in instruments of equal temperament such as the piano, but significant in the intonation of stringed and wind instruments2. (Music, other) denoting or relating to enharmonic modulation[C17: from Latin enharmonicus, from Greek enarmonios, from en-² + harmonia; see harmony] ˌenharˈmonically adv

en•har•mon•ic

(ˌɛn hɑrˈmɒn ɪk)

adj. having the same pitch in the tempered scale but written in different notation, as G sharp and A flat. [1590–1600; < Late Latin enharmonicus < Greek enarmónios (-icus replacing -ios) =en- en-¹ + harmónios harmonious] en`har•mon′i•cal•ly, adv.

Translations

enharmonieenarmonico

Enharmonic

(1) A term that refers to tones that are the same degree of the chromatic scale but are named and written differently (for example, F sharp and G flat), to intervals consisting of the same tones but “spelled” differently (for example, major sixth and diminished seventh), to chords that are tonally but not harmonically equivalent (for example, a diminished seventh chord in which 1–3 notes undergo an enharmonic substitution becomes one of the inversions of the other diminished seventh chords), or to keys that are tonally but not harmonically equivalent (F sharp major and G flat major). The concept of enharmonic tones came about as a result of equal temperament, in which the octave is divided into 12 equal semitones; it allows the composer to make use of enharmonic modulation, a change of key made by altering enharmonically one or two notes of a chord, thereby changing the chord’s harmonic meaning and inducing a different progression.

(2) One of the ancient Greek scale forms, a tonality that included intervals of approximately a quarter tone.

单词	enharmonic
释义	enharmonic en·har·mon·ic E0149300 (ĕn′här-mŏn′ĭk)adj. Music Of, relating to, or involving tones that are identical in pitch but are written differently according to the key in which they occur, as C sharp and D flat, for example. [Late Latin enharmonicus, from Greek enarmonios : en-, in; see en-² + harmoniā, harmony; see harmony.] en′har·mon′i·cal·ly adv. enharmonic (ˌɛnhɑːˈmɒnɪk) adj1. (Music, other) denoting or relating to a small difference in pitch between two notes such as A flat and G sharp: not present in instruments of equal temperament such as the piano, but significant in the intonation of stringed and wind instruments2. (Music, other) denoting or relating to enharmonic modulation[C17: from Latin enharmonicus, from Greek enarmonios, from en-² + harmonia; see harmony] ˌenharˈmonically adv en•har•mon•ic (ˌɛn hɑrˈmɒn ɪk) adj. having the same pitch in the tempered scale but written in different notation, as G sharp and A flat. [1590–1600; < Late Latin enharmonicus < Greek enarmónios (-icus replacing -ios) =en- en-¹ + harmónios harmonious] en`har•mon′i•cal•ly, adv. Translations enharmonieenarmonico Enharmonic Enharmonic (1) A term that refers to tones that are the same degree of the chromatic scale but are named and written differently (for example, F sharp and G flat), to intervals consisting of the same tones but “spelled” differently (for example, major sixth and diminished seventh), to chords that are tonally but not harmonically equivalent (for example, a diminished seventh chord in which 1–3 notes undergo an enharmonic substitution becomes one of the inversions of the other diminished seventh chords), or to keys that are tonally but not harmonically equivalent (F sharp major and G flat major). The concept of enharmonic tones came about as a result of equal temperament, in which the octave is divided into 12 equal semitones; it allows the composer to make use of enharmonic modulation, a change of key made by altering enharmonically one or two notes of a chord, thereby changing the chord’s harmonic meaning and inducing a different progression. (2) One of the ancient Greek scale forms, a tonality that included intervals of approximately a quarter tone.
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